![]() ![]() Positioning studio monitors often takes trial and error. Prepare To Invest Time - Possibly Extra Money The thing to note is that it is still very important to as good as possible before reaching for software aids such as speaker calibration. There are also some very clever software solutions available that have been around for a few years that adapt and improve the characteristics of studio monitors by use of EQ and other tech and we’ll cover those later in the article. The goal here is to get the most from studio monitors using common sense along with a handful of tools. Without the space and budget for very bulky bass trapping, the bottom-end response is likely to be less than ideal but there is a lot that can be done to improve matters even if you can’t afford an acoustician and a truckful of Rockwool and timber. If your gear is in a typical domestic space you’re unlikely to get a truly flat frequency response from your monitors using positioning techniques and limited acoustic treatment as issues created by standing waves and room modes are more challenging to correct in smaller rooms. So what can people working in home studios do in order to get better sounding monitors? Reset Your Expectations the reality is that hat those approaches aren’t practical for a lot of recording artists working in small home studios. Getting the best response from studio monitors requires a room specifically designed and built to have optimal acoustics… but that is expensive and difficult to achieve without skilled design. The properties/dimensions of the room the monitors are in. In the real world, studio monitors struggle to achieve anything like that because of a couple of factors: Monitors are designed to produce a flat frequency response, typically from 20Hz to 20kHz (the range of human hearing) in an ideal room. Monitor Specs Only Tell Half The Storyįrequency response graphs feature heavily in studio monitor marketing but they don't tell the whole story. It has to be said that a different arrangement of desk-mounted stands means he now has the better monitors in the right place but the principle still holds. ![]() In his test of the Yoyo Sit-Stand Desk, Julian substituted his usual monitors for his old Genelecs because he prioritised monitors, which were in the correct place - in this case, mounted to the desk so they stayed in the optimum position both in the sitting and standing positions, over a better pair of monitors, which were in the wrong position at least half the time. ![]() ![]() However, there is something else that can help get the sound of your monitors to your ears - the placement of your monitors. Ask almost any working mix engineer what the number one purchase that would improve your mix room is and you’ll probably get the same answer - Acoustic treatment. Monitors interact with the room in which they are placed and the sound that hits your ears is indivisibly combined with the influence of the room. You can’t just buy a pair of quality monitors and get what you paid for. With a pair of headphones, you put them on and you get optimal performance - simple! With monitors, things are more involved and this is bad news for anyone looking for quick answers. It’s an unavoidable truth that monitoring through loudspeakers gets complicated. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |